The floods that have hammered Queensland over the last few weeks have drawn support from Brisbane's Mop Army to sports folk donating amazing packages.
The Queensland Writers Centre have come up with a fund raising project that offers something for everyone. Ever wanted your name in print? Well, how about your name turning up in John Birmingham's latest volume of all-explodey goodness? What about a book package signed and sealed by Emily Maguire? Or a visit from Linda Jaivin? I don't get out much, so I volunteered myself for a few things.
Five bucks will buy you a ticket in Writers on Rafts that's right $5! Prizes will be drawn on February 25. More information here.
I have a few events to update on the events page - until I do that, this is what the year holds so far:
List of upcoming events:
Sunday, 6 February, 3pm,
I'll be having a yak with Partners in Crime at the St Helens Community Centre, 184 Glebe Point Road, Glebe. We're going to have a chat about The Place of Place in Crime Fiction.
Cost is $10/ $5 (members). Contact: meetings@partnersincrimesydney.com
May 6 and 7
I'll be at the Literati Festival, Gold Coast QLD. No website as yet, but I've seen the guest list and it's going to be a great weekend.
Saturday 4 June, 10am - 4pm
I'll be at the NSW Writers Centre, for a 1 day Workshop Perfect Crime
Then in September back up to Queensland
17 and 18th September I'll be doing two workshops with the Queensland Writers Centre
17th September, Cairns
Workshop From Cleanskin to Crimewriter
18th September, Townsville
Workshop From Cleanskin to Crimewriter
#WIP is the twitter hashtag lonely writers wave from their desks to signal their engagement on the work in progress.
As to my, #WIP, it progresses.
The scary bits I've been putting off have started to appear and the first set of eyes have started reading. Doing it like Dickens - I'm sending out instalments. Keeps the pressure up on me not to succumb to the vortex of endless rewriting - so far so good.
About to clean off the big white board (as the breakdown of final scenes there no longer resembles the breakdown of final scenes in scrivener and in my head) and look at landing the plane in detail. While it's good to forward plan - it's also good to stay flexible. (Usually results in a bit of back-stitching - but it won't be the first, or the last, time things get unpicked, re-arranged and re-stitched.)
In a delightful bit of news this week The Old School has been shortlisted in the Debut Fiction Category of the 2011 Indie Awards alongside some very fine books indeed: Rocks in the Belly by Jon Bauer, Book of Lost Threads by Tess Evans, The Legacy by Kirsten Tranter.
As an unknown novelist you step into a very very very crowded agora with your first book. The difference between debut, and dead in the water, comes down to the enthusiasm of the Indie Booksellers, readers themselves who are prepared to pick you up off the shelf and put you in the hands of other readers. It's every wallflower's dream come true.
Thank you Indies!
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